Performance | Harmony Holiday

Considering themes of absence, minor histories, and the black radical tradition as introduced in Blues Klair and the research methods they provoke, Los Angeles-based poet and choreographer Harmony Holiday has been invited to present a new performance working with audio and video archives that extend from, surround and inform her practice.

In conjunction with 𝐡𝑙𝑒𝑒𝑠 πΎπ‘™π‘Žπ‘–π‘Ÿ @ Leonard & Bina Ellen Gallery

Free entry | More event info here & excerpted below.

“Harmony Holiday is a writer, dancer, archivist, and the author of four collections of poetry Negro League Baseball, Go Find Your Father/A Famous Blues, Hollywood Forever, and A Jazz Funeral for Uncle Tom, forthcoming. She also founded and runs Afrosonics, an archive of jazz and everyday diaspora poetics and Mythscience a publishing imprint that reissues and reprints work from the archive. She worked on the SOS, the selected poems of Amiri Baraka, transcribing all of his poetry recorded with jazz that has yet to be released in print and exists primarily on out-of-print records. Harmony studied rhetoric and at UC Berkeley and taught for the Alvin Ailey American Dance Theatre. She received her MFA from Columbia University and has received the Motherwell Prize from FenceBooks, a Ruth Lilly Fellowship and a NYFA fellowship. She is currently working on a book of poems called M a Γ  f a and an accompanying collection of essays and memoir entitled, Reparations: Thieves Who Stole my Blue Days, as well as a biography of jazz singer Abbey Lincoln.”